Call Out for Works for Exhibition, Plymouth, October 2026.
Before & After: Fragments of Origin
Our world is falling apart quietly. Human civilisation has reduced the plant, a four-million-year-old life form, into three things: food, medicine, and wood. In our relentless and ever-intensifying obsession with obtaining a higher volume, potency, and variety of these three things, we have devastated plant ecology to an extent that millions of years of natural disaster could not.
Hope Jahren, Lab Girl
CAMP members are invited to submit work in response to this call out and the attached brief. Works will be selected based on the criteria below, including the response to the brief and the overall coherence of the exhibition. The exhibition will take place in the exhibition space at the Levinsky Building, University of Plymouth in October 2026.
There are two main thematic threads that can be explored:
Ancestral Memory / Before
Indigenous peoples’ knowledge of nature. Cultures of working in symbiosis with the natural world in rural cultures that existed before tech and global extraction impacted the balance of the ecosystem. Indigenous peoples who have added the least to the problem, yet in most cases are the most strongly impacted. They are the first to be affected by the clearance of forests for wood and monoculture, the devastation of forest fires, flooding, sea level changes and temperature extremes.
Re-imagining the Future / After
The tipping point has been passed, and climate change is inevitable. What are we going to take with us from current cultures? The modern global economy emerged through systems of colonialism and imperialism that prioritised resource extraction, economic growth, and unequal power relations. If climate change deepens significantly over the next century, daily life would likely change in ways that are both disruptive and adaptive.
The curatorial team are looking for works that respond to the brief and welcome submissions in all media including moving image, photography, print, sculpture, painting, text based work or performance. See the contextual and thematic material below. We are happy for you to submit new or existing work. If you propose unrealised work, please give as much detail as possible on the application form.
Exhibition Selection Criteria:
- Response to the brief
- Technical requirements
- Coherence across the exhibition as a whole
The exhibition will take place across the Plymouth Art Weekender weekend, and live and audience facing events will be scheduled around this. We hope that the exhibition will include an opportunity for a discussion event with University of Plymouth academics. Full details to be confirmed later.
Artists will need to organise delivery and collection of their work to and from the Levinsky Building, PL4 8AA .
A rota for gallery invigilation will be organised in consultation with participating artists.
The CAMP team work on a voluntary basis, and unfortunately cannot offer feedback on unsuccessful submissions.
How to Apply
To apply please complete the Application Form which you can download as a Word Doc HERE (you can preview the form below).
Before sending your application, please complete the CAMP Equal Opportunities Monitoring Form HERE
Email your completed form to info@camp-membership.org using the subject heading Before and After APPLICATION + YOUR NAME by 12th August 2026, 23:59pm.
Maximum file size: 6 MB
Note on Equality and Diversity Monitoring
When you submit your application we ask all applicants to complete an anonymous online Equality and Diversity Monitoring Information Form, which you can find here. This form helps us understand who is engaging with this opportunity and provides valuable data that can inform future efforts to improve accessibility and representation. Your responses are completely anonymous and will not impact your application in any way. By filling out this form, you contribute to a broader effort to make opportunities like this more inclusive and responsive to artists’ diverse experiences.
Important dates for Before & After:
Call Out opens: 15th July 2026
Submission deadline: midnight 12th August 2026
Selection week: starting 17th Aug 2026
Artists will be informed by: 24th August
Installation date: 5th Oct 2026
Exhibition Dates: 9th October to 18th October
Live events will happen during Plymouth Art Weekender: 16-18 October
Before and After: Fragments of Origin
Contextual and Thematic Material
Our world is falling apart quietly. Human civilisation has reduced the plant, a four-million-year-old life form, into three things: food, medicine, and wood. In our relentless and ever-intensifying obsession with obtaining a higher volume, potency, and variety of these three things, we have devastated plant ecology to an extent that millions of years of natural disaster could not. Hope Jahren, Lab Girl
There are different threads that can be explored:
Ancestral Memory / Before
Indigenous peoples’ knowledge of nature. Cultures of working in symbiosis with the natural world in rural cultures that existed before tech and global extraction impacted the balance of the ecosystem. Indigenous peoples who have added the least to the problem, yet in most cases are the most strongly impacted. They are the first to be affected by the clearance of forests for wood and monoculture, the devastation of forest fires, flooding, sea level changes and temperature extremes.
Re-imagining the Future / After
The tipping point has been passed, and climate change is inevitable. What are we going to take with us from current cultures? The modern global economy emerged through systems of colonialism and imperialism that prioritised resource extraction, economic growth, and unequal power relations. If climate change deepens significantly over the next century, daily life would likely change in ways that are both disruptive and adaptive.
Imagine waking up in a city where buildings generate most of their own energy. Your home atomically stores cool nighttime air and minimises daytime heat. Water from yesterday’s shower has already been filtered for non-drinking uses. You check a climate dashboard before planning your day. Outdoor activity is recommended before 10 a.m. because temperatures will exceed 40°C. Life is more constrained by environmental realities than in the early 21st century—but it is also shaped by decades of innovation aimed at living within those realities.
The most likely future is neither a complete collapse nor a seamless technological utopia. It is a world where societies continuously adapt to a changing climate, with some regions managing the transition effectively and others facing much greater challenges. Many coastal areas could become increasingly difficult or expensive to inhabit due to sea-level rise, storm surges, and flooding. Some cities might build massive protective infrastructure, while others could gradually retreat inland. New population centres might emerge in regions that are currently cooler and less densely populated. Some areas that are highly populated today could see significant outmigration due to extreme heat, drought, or water scarcity.
Housing might be designed differently with elevated buildings in flood-prone areas, reflective roofs and walls to reduce heat, integrated water collection systems, community cooling centres, and underground structures in very hot regions. Cities could depend heavily on greywater recycling, seawater desalination, water recycling, and regional water-sharing networks. People may become much more conscious of water consumption than many are now.
Agriculture would undergo major transformation with indoor vertical farms, drought-resistant crops, more local food production to reduce transport, and expanded use of alternative proteins. Seasonal foods could become more important again. A typical grocery store might contain fewer products grown in open fields and more from climate-controlled facilities.
Future cities might be designed as environmental systems rather than collections of buildings, including dense urban forests, artificial shade networks, cooling corridors for airflow, water-retention landscapes, and distributed renewable energy systems. Technology would likely monitor temperature, air quality, water use, and infrastructure stress in real time.
One of the largest social changes may be increased human mobility. Many people could relocate because their region becomes too hot, water supplies become unreliable, coastal flooding becomes frequent, and economic opportunities shift elsewhere. Countries may develop new policies on climate migration, and identities tied strongly to place may evolve as communities move and rebuild.
Climate adaptation wouldn’t only be technological. Values might shift toward repair rather than replacement, resource efficiency, community resilience, local self-sufficiency, and long-term planning. Children might grow up learning climate adaptation skills alongside traditional subjects.
Current considerations
The Global Justice Report just published at the start of June considers that the polycrisis defined by complexity theorists Edgar Morin and Anne Birgitte Kern, manifests as one calamity after another; made up of climate crisis driving levels of migration leading to xenophobia as the economic squeeze exacerbates and emphasises gross inequality and manifests in political and economic instability.
‘Climate change, rising inequality, and the threat of financial crises interact in complex ways that multiply their overall impact’, sociologist and sustainable transitions theorist Mark Swilling.
At the heart of the Global Justice Report is the concept of sufficiency – the idea that people can enjoy a prosperous, healthy life without constantly striving to consume or accumulate more material possessions that degrade the natural world on which all life depends. To achieve this, the authors envisage three steps: more than halving average working time from 2,100 hours a year to 1,000 hours, roughly equivalent to a two-and-a-half-day working week; encouraging people to eat less red meat, which is the main driver of deforestation and ecological destruction; and refocusing the economy toward low-consumption activities by more than doubling education spending to €8,400 (£7,250) a person and healthcare spending to €14,400. (Source Guardian)
The World Inequality Lab has written a report that proposes heavy wealth taxes on billionaires, reducing working hours substantially, change diets to move away from unsustainable farming and shifting investment from environmentally damaging sectors of mining and manufacturing industries to education & health. Although based on well-established metrics for GDP, inequality and climate science, it widens the definition of prosperity and heightens the importance of “sufficiency” to show that quality of life is more valuable than quantity of material goods. This echoes ancient philosophies of a “golden mean”, Indigenous beliefs in the inextricable connection between human and natural wellbeing, as well as experiments in Bhutan of an economy based on “gross national happiness”.
Before & After: Fragments of Origin
APPLICATION FORM (preview)
Please download the form HERE
CALL APPLIED FOR | Before & After: Fragments of Origin |
Full name | |
Pronouns | |
Address | |
Postcode | |
Telephone | |
Website (N/A if you don’t have one) | |
Social media handles (N/A if you don’t have any or don’t want to share) | |
Camp Membership (delete as applicable) | YES or NO |
I am applying with an existing work or a proposal [delete as applicable] | Existing work/s Proposal for new work. |
Please complete relevant sections of this form. | Existing Work(s) or Proposed Work. |
For existing work: – Title | |
– Medium | |
– Year | |
– Dimensions | |
– Equipment required (e.g. projector, special hanging, headphones and player …) | |
– I can deliver the work to the Levinsky Building by 5th October 2026 | YES or NO |
– Description of existing work (Maximum 150 words) | (go on to second sheet if necessary) |
For proposals: – Title | |
– Medium | |
– Year | |
– Dimensions | |
– Equipment required (e.g. projector, special hanging, headphones and player …) | |
– I can deliver the work to the Levinsky Building by 5th October 2026 | YES or NO |
– Description of proposed work (Maximum 150 words) | (go on to second sheet if necessary) |
Artist Statement (Maximum 200 words) | (go on to second sheet if necessary) |
How my submitted work responds to the brief and/or themes of Before & After (maximum 150 words) | (go on to second sheet if necessary) |
I have completed the Equal Opportunities Monitoring Form online | https://forms.gle/kq6BVAaSVQSagiis9 YES / NO |
Title of supporting images (Artists can include up to 3 supporting images inserted at the end of this document, please label images with the image number) | 1. 2. 3. |
Link to youtube/vimeo/other video link – please include password if this is needed to access material. | |
Signed | |
Dated | |
Insert Images Below | You may include a link to 3 online images if you choose. |
